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Nun. Nicht wahr. Er wachte schreiend auf, sein Bett triefend nass, nicht unbedingt mit Sehnsucht nach Äpfeln.
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And suddenly, he knew he was falling. Endlessly falling. The great panic, that caught him slowly, dissolved into content. Because he kept falling. As long there is no bottom, there´s no need to worry. One could even argue, that falling without hitting something somewhere in the end is not perceiveable as falling. It is moving, yes. So wandering through these philosophical sophistries, he didn´t realise, that he was transforming into an apple. That being a capital reason to panic, the cried out loud, as luod an apple could cry out loud.
Well. You know. He awoke crying, his bed soaking wet, not exactly yearning for apples.
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Wie zuvor angekündigt, kommen Licht und Schatten zurück. Ausschließlich Zinkweiß wurde verwendet. Es machte den Apfel wieder plastisch und verwandelte den flachen Hintergrund in einen Raum. Der, in dieser speziellen Weise gemacht, ein bißchen Bewegung in das Bild bringt. Der Apfel liegt oder sitzt nun nicht mehr, er schwebt zumindest.
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As previously announced, light ans shadow are back. Zinc-white is used only. It gave the apple back the volume and turned the flat background into a space. Which, done in that particular way, adds a little movement. The apple is not lying or sitting anymore, it is hovering, at least.
Herzlichen gruß
Gerd
Technorati Tags: Kunst, art, Malerei, painting, Ei-Tempera, egg-tempera, volume, space, Plastizität, raum
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